Does he find it overwhelming to be constantly prodded about the past? “Everybody’s got a story, I guess,” he says with a laugh. Crowded, too.”) He is also asked about the scene immediately after his performance earlier that evening: the people the things they say the stories they tell. (“He was drunk all the time!”) And Woodstock. “Mainly we just jammed a lot.” Then Jim Morrison. “I never got to know him that well,” Winter says. “I was real proud of the stuff we did together.” “Of all the people I played with, I’d say Muddy impressed me the most,” Johnny says. “We had a lot of fun.” During the drive, someone from his entourage asks him about Muddy Waters. “I jammed with him at a place called the Vulcan Gas Company in Austin in 68,” Winter says. Rare is a Johnny Winter response that exceeds a single sentence, but the many famous musicians with whom he has crossed paths often serve as the best catalysts for the kind of tantalising detail that is almost agonisingly absent in his dialogue.Ī Freddie King tune comes on. Anything except leave him alone.”īack on the bus, Winter, now comfortably ensconced, lights a cigarette and begins to sing along softly to an old Son House tune. Everybody wanted to fight him, fuck him, give him a tape or get him high. “We’d have to find him refuge from people. “Everybody wanted to mess with him or interact with him somehow if he tried to go anywhere,” Shurman recalls. Dick Shurman, the producer of several of Winter’s albums including his latest, 2004’s Grammy- nominated I’m A Bluesman, remembers hanging out with Winter in Chicago in the mid-80s. The concept of wanting a piece of Johnny Winter isn’t a new thing it’s always been this way.
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